While Brigham Young (Kim Coates) succeeds in burning down Jim Bridger’s (Shea Whigham) beloved fort, Bridger survives the fire. In real life, Jim Bridger would head east to plea his case to the U.S. Government against Young. Fort Bridger would be resurrected as a key U.S. military base of operations and Bridger wouldn’t die until 1881.

Creator Mark L. Smith's six-episode examination of scruffy, vicious people traversing the Utah Territory in 1857 also stars Taylor Kitsch and Dane DeHaan.

America's past is pock-marked with cruelty, blood and deceit, and while more and more films and movies ("1883," "Killers Of The Flower Moon," "Power Of The Dog," et al) have tried to show that reality in recent years,

Lights" creator Peter Berg makes the wild west look like hell on Earth in "American Primeval." There's some good between all the blood.

The series, now streaming on Netflix, depicts the brutality with which the Mormons sought to create a new world for their beliefs, the pride with which the native people held onto their ancestral lands, and the tragedy of the people just seeking to make a new home in the chaos. But is any of it true?

In Netflix’s new limited series, “American Primeval,” written by “The Revenant” scribe Mark. L. Smith, audiences are thrust into the viciousness of the American West, specifically the Utah Territory in 1857.

However, it saps anything resembling wistfulness from its Hollywood Western roots, complicating its chances of cornering the post-Yellowstone market (alongside the latter's many spin-offs). What's left is the husk of a beloved genre,

Peter Berg directs an epic six-part drama about the Mountain Meadows Massacre of 1857, in which more than 100 settlers were murdered by militant Mormons.